Archive for the ‘Media’ Category

May 12, 2009

Spring is in the air and purple patches have blossomed on the High Line. Katie from Friends of the High Line tells us that these are “Rhapsody in Blue” flowers, from the Salvia family. While we’re enjoying our office view, we can’t wait to admire them up close, and eagerly await the High Line’s official opening, rumored to be some time in June. As always, daily updates are available on the official High Line blog.

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March 24, 2009

mcgangbang

It’s a simple recipe for a thoroughly unwholesome meal: one McChicken sandwich placed between a Double Cheeseburger’s two patties, both ordered off McDonald’s popular Dollar Menu for a grand total of $2.16. Crudely christened the “McGangBang” by Daytona Beach customers in 2006, the sandwich has steadily earned a voracious following. Today, McDonald’s diners consume the McGangBang both online and off, ordering the absurd sandwich from befuddled employees, while documenting their experiences via Flickr, YouTube and, yes, even Twitter. And yet, the way McDonald’s opts to address this public relations pickle will prove to be even more interesting than how their customers are customizing the dollar sandwiches.

To date, the company has issued a single statement on the McGangBang, using a typical smile, deflect and evade approach:

“McDonald’s loves to hear from our valued guests, especially when they customize and create meal combinations to fit their personal taste preferences – no matter how unique! Whether it’s requesting an Egg McMuffin without cheese or a Big Mac with extra secret sauce, McDonald’s is proud to satisfy our customers’ requests and provide them with a variety of great-tasting meals every time they visit our restaurants.”

Is it just me or is ordering a sandwich named after a group sex act slightly different than asking for “an Egg McMuffin without cheese?” (Unless I’m unaware of some naughty new move!)

Oddly enough, I first heard of the McGangBang the same day that I watched a young boy on YouTube teach the world “How To Smoke Smarties” — yet another reconstitution of a defenseless manufacturer’s product. After crushing up the classic sugary candy into a powder and holding it in his mouth, the child demonstrated how it appeared to seep out like cigarette smoke. His instructional video has over 350,000 views and countless copycat posts, mainly by kids.

While folks have always reconstructed meals for their own amusement, food companies can no longer expect such experiences to remain either private or temporary. As fast and fleeting as the internet is, it also acts as a permanent public record for consumers’ every little experiment. Whether McDonald’s likes it or not, the McGangBang has already left an indelible mark on their brand.

No matter how unsavory the publicity is, McDonald’s must respond. Second only to pushing their products is pushing their message, and such an easy entree to the public conversation is a rare gift. Sure, it’s not in their best interest to capitalize on the name “McGangBang,” but they damn well ought to seize on the energy and enthusiasm behind it. A few ideas:

  • Create an open contest for the best new sandwich created using only existing menu items. Put the (least rude) submissions up for an online vote, and offer the winner a limited menu run.
  • Design a secret “off-the-menu” menu comprised completely of existing items, remixed a la In-N-Out e.g. Chicken McNuggets served with Big Mac Special Sauce or a Quarter Pounder with a layer of French Fries inside. Make no formal announcements. Instead, simply inform employees of the new offerings and wait for word to leak out.
  • Rename the McGangBang something more palatable yet rich in innuendo e.g. the McOhYeah, the McLovin’ or the McNasty. Inform employees to expect orders for the “McGangBang.” Prepare them to respond with a simple one liner, “Oh, you mean the Mc____” Subvert the crude name with a new name of your own choosing.

In short, McDonald’s cannot do nothing. The challenge is unusual, but it could be far worse. Kids could be smoking McNuggets.

- Johnny

For a comprehensive background on the genesis of the McGangBang, click here.

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February 4, 2009

This weekend I walked past the John Fluevog store in Soho, and was struck by their “Buy Better, Buy Less” promotion. In a time when shopping has ground to a halt and 70% sales are the new 30% sales, retailers are looking for new ways to connect with skittish consumers, an especially tricky thing for the luxury industry. One beacon of hope in high-end retail is the concept of buying higher quality, more durable goods, but fewer of them. While not an original thought (just ask your depression-era grandparents about the wastefulness of the past decades), durability has hardly been the backbone of the retail sector, or of pop culture as we know it. In fact, planned obsolescence is key to most business’ long-term strategies.

The “Buy Better, Buy More” wave of green products and free-trade-everything, has been followed by the harsh realities of the economic collapse. So while counter-intuitive from a traditional business perspective, I wonder if culturally, the time has come for companies to redefine their relationship with consumers on fundamental level: asking people to consume less. One viable way to do this would be to offering a more durable product, but augmenting revenue with service/maintenance add-ons. Fluevog for example, could offer re-soling services by cobblers who are experts at working with their designs, thus adding another year to your shoes. Skeptics will balk at this idea, pointing to the direct decrease in replacement shoe sales. But it’s a new era, and perhaps customer loyalty, the knowledge that resources are being maximized, and fresh revenue streams will become necessary differentiators. In most cases, keeping your customers may better than losing them all.

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January 27, 2009

Once upon a time, in an age before TiVo and Netflix, colleagues would gather around the watercooler to chat about the previous night’s popular TV shows. The shared experience of critiquing the latest episodes was a social blessing–or for those unable to tune in, a recurring curse. Whether watched or discussed, TV shows were immoveable objects around which lives were expected to revolve. Over time, however, the opposite became true.

Today, the very questions we ask each other about televison have changed. As programs break free from their allotted timeslots and onto Hulu, iPhones and Xboxes, the question “did you watch _____?” has become “are you watching _____?” Fixed broadcast content is on its way out, with viewers instead watching shows whenever, wherever they want. Take AMC’s breakout hit Mad Men. Judging purely by its weekly viewership, one wouldn’t necessarily deem the show a tremendous success. And yet in the past six months it seems as if the Don Draper and his misogynist creatives are on the tip of everyone’s tongue. Did your friends watch last night’s episode of Mad Men? Not necessarily. But are they watching Mad Men? Damn right they are! Only now, it’s on their own terms, their own schedule, their own pace and their own devices.

As a result, weekly watercooler conversations have all but evaporated. Barring the Superbowl, the Oscars and certain major political events, today’s audience no longer experiences TV en masse. Unbound to a prescribed way of watching, viewers have turned online to discuss shows, where they can sort and sift through specifically what’s relevant to them. But god forbid they catch up to real-time! Fan websites, for instance, must now post “spoiler alerts” when discussing up-to-date episodes in order to prevent their readers from learning untimely plot points.

Our clever culture will no doubt adjust to these time-shifting technologies, but not without a heavy dose of nostalgic protest. “I remember when my friends used to watch the same shows, at the same time, and talk about them afterwards,” they’ll say. With any hope, the same technologies behind our liberation from broadcast TV will rekindle the faded joys of tuning in together.

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January 16, 2009

This coming Tuesday, millions of Americans will come together to watch our nation swear in its first ever African-American President. Evidently, the spirit of unity is spreading beyond the crowds. Several interesting media partnerships have emerged to make the inauguration available to those eager to watch, but unable to attend.

The most newsworthy of the lot is MSNBC’s deal with Starbucks to simulcast the event in 650 coffeeshops in three cities. But the list goes on, with particular attention paid to making the ceremony available online. Fox News is expanding their existing partnership with Internet TV provider Hulu to provide free live coverage from noon to 2PM. Hulu’s competitor Joost, on the other hand, will stream CBS’s broadcast of the event. Other networks have opted to team up with popular social networking sites. User-produced CurrentTV will air viewers’ reactions in realtime via micro-blogging site Twitter. Elsewhere, powerhouses have united; CNN.com has integrated its site such that Facebook users can watch the Senator turn President along with their friends. Well, sort of.

While most people rushed home on election night to watch “regular” TV, the workday timing of this heavily anticipated inauguration seems to have led the big networks to rush online. I’m hopeful that the creative partnerships spurred by this historic day will encourage television networks to further embrace this type of cross-platform, deformated content. But on Tuesday, that’s not all I’ll be hopeful about!

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January 14, 2009

2008 was an unforgettable year for us at People Are Amazing. Aside from Kat getting married, and me getting typhus, we launched this very blog and (despite our best efforts), it is still up and running! Since then, we’ve been privileged to interview a number of amazing people from Kalliopi Kohas, owner of Greek pine sap purveyor Mastiha to Tony Dusko, 5th grade teacher by day, whimsical web animator by night. A personal highpoint was hearing the wise words of 90 year-old Dave Crawford on growing up during the Great Depression and how best to navigate a crumby economy.

But the recession didn’t keep us from visiting some intriguing places. John took a trip to Brooklyn’s own Fine and Raw for a taste of artisanal, dairy/sugar/preservative-free chocolate. He brought back some perishable, refrigerated samples and we made sure they never reached room temperature! Kat found herself in the Mid-West wandering the aisles of Cincinatti’s own supermarket/amusement park Jungle Jim’s. Food, it seems, is a minor obsession at P.A.A.. Kat’s post about local panini-makers S’Wich found its way onto foodie blog Eater in May. I wrote about an awful new bottled tap water I came across at a bodega; in turn, that company curiously linked to our post, “Tap’NY Must Think You’re Stupid,” in their press section.

Surprisingly, our most popular post ended up being about a miscolored canine. In early May, I was experimenting with ways to boost traffic and I noticed that the search term “green puppy” was “volcanic” in popularity on Google Trends. Apparently, a Labrador with a pea-colored coat had been born in New Orleans and really people wanted to see the pictures. I posted the two images available at the time, unaware that moments later the popular site Buzzfeed would link to our post. Within a matter of minutes, we had thousands of viewers visiting our humble little blog. Thus, the “Green Puppy Effect” was born.

Obviously, you never quite know where a year will take you. This time last year, People Are Amazing didn’t even exist. But between blogging about diabetic rappers and Colorado grease thieves, we were thrilled to ride the ups and downs of 2008. Luckily for us, amazing things are always on the horizon and 2009 is sure to provide hearty fodder for the blog. Happy New Year and thanks for reading!

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October 30, 2008

On a conference call with reporters Wednesday, the Beatles’ Apple Corps Ltd, MTV Games, and Rock Band manufacturer Harmonix announced an exclusive Beatles video game to be released in the winter of next year. This comes as a welcome surprise for the many critics who feel that those licensing the Fab Four’s music have been painstakingly slow in adapting to digital culture. Though the band did brave new territory with Cirque du Soleil’s LOVE, for their own odd reasons, they have still yet to release their coveted catalog for purchase on iTunes.

On the shoulders of Harmonix and Guitar Hero makers Activision, video game manufacturers are aggressively partnering with the music industry. According to The Economist, aging rockers Aerosmith have made more money in licensing income from Guitar Hero than from sales of any of their albums. But I have a hunch that these lucrative partnerships are indicative of something bigger.

In the past month, we’ve witnessed a presidential candidate advertising in Xbox 360 games and Brian Eno release an ambient musical instrument for the iPhone. We’ve watched Internet TV provider Hulu celebrate their first anniversary and Netflix and TiVo partner to stream on-demand rentals. Obviously, we are living in an era of rapid technological transition, but these innovations seem more enduring than past experiments. Virtual reality goggles anyone? While the Internet provides us with entertainment everywhere, it also raises our expectations of more traditional forms. Analog “one-purpose” mediums like TV, radio and even video games are learning that to survive you must not only partner with the competition but merge your mediums. It seems on this long and winding road, there’s only one lane and it’s moving fast.

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September 16, 2008

While I may be a fiend for my daily campaign fix, we rarely touch upon politics here at People Are Amazing. But political journalist Adam Nagourney’s take on the “media fog” enveloping the election in yesterday’s Times raised certain apolitical implications worth discussing here. Concerning the Obama campaign’s repeated attempts to recapture the public’s attention following a week of headline-grabbing, less-than-honest shots from his opponent, Nagourney writes:

“That episode reflects what has emerged as one of the most frustrating challenges that Mr. McCain and Mr. Obama are facing going into the final weeks of this campaign: the ways in which the proliferation of communications channels, the fracturing of mass media and the relentless political competition to own each news cycle are combining to reorder the way voters follow campaigns and decide how to vote. It has reached a point where senior campaign aides say they are no longer sure what works, as they stumble through what has become a daily campaign fog, struggling to figure out what voters are paying attention to and, not incidentally, what they are even believing.”

Surely, campaign managers aren’t the only ones stumbling around. Far from isolated to politics, this disorienting fog of misinformation confounds us all, blanketing every piece of news spread via the major media, the Internet, our mobile devices, and even the kitchen table. .                     .

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September 2, 2008

A long time ago, in the 90s, some savvy entrepreneurs figured out that big companies like Coca-Cola and Nike wanted desperately to know what was cool with the kids in order to stay one step ahead of a culture increasingly at odds with mainstream marketing. Thus the trendspotting revolution launched to prominence companies like Look Look, the Zandl Group, Trendcentral, and many others all dedicated to acting as middlemen between street culture and the marketing departments of corporate America.

In the interest of parity, most trend consultancies invited the youth and cultural niches they ‘represented’ to speak on their own behalves, addressing the movements of culture in their own words. For example, Look Look’s eponymous magazine promised aspiring young photographers and artists an opportunity to publish their work— ostensibly for their peers—which could then be repackaged as a value-added consulting offering for Look Look’s clients. Or the Intelligence Group’s Trend School showcased young early-adopters speaking on panels about their hyper-connected lives. In essence, trendspotters offered a clever bargain; a platform for youth expression in exchange for youth’s bloodhound sense for the next big thing.

But fast forward a decade and a funny thing has happened: in offering such a bargain, trendspotters have largely made themselves obsolete. .                     .

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August 21, 2008

It’s well-documented that we are in an age of unsurpassed information and data. Luckily, technology has not only created the swirling mess, it has also made sense of it, resulting in everything from Google Earth to Newsmap. Dynamic duo Jonathan Harris and Sep Kamvar have emerged as thought leaders in the field, and making a splash with their “We Feel Fine” project (pictured above left), which aggregates and maps how the blogosphere is “feeling” at any one time.

Given the rising importance of “pattern-finding,” I was initially surprised when my friend Paul Ratliff shared with me the concept of “Random Delight.” His theory is that there is a counter trend to pattern-finding — technology is also helping to push completely arbitrary bits of information that we seem to enjoy on a playful and instinctive level. Great examples are: the Beacon project, that projects real-time websearch terms on the wall; Urban Spoon’s iPhone restaurant finder application, which has a “slot machine” function (pictured above right) that selects a restaurant based on how hard you shake your phone.

The more I thought about it, the more it makes perfect sense. Pattern-finding helps to feed our desire for logic and order, while randomness feeds the side that delights in human ingenuity, deviations, and providence. We turn to technology to do exactly what we want… can we now trust technology to do exactly what we least expect? –Kat

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